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These terrible events so deeply affected Emilia that she was confined to her bed by a dangerous illness. Ferdinand struggled against the shock with manly fortitude. But amid all the tumult of the present scenes, his uncertainty concerning Julia, whom he had left in the hands of banditti, and whom he had been withheld from seeking or rescuing, formed, perhaps, the most affecting part of his distress.,

One evening, while she was prowling, as usual, round the courts and poultry-yards of the castle, to inhale the smell of fresh meat, she overheard little Day crying in one of the lower rooms, because the Queen, his mother, was about to whip him for being naughty, and she also heard little Aurora begging forgiveness for her brother. The ogress recognised the voices of the Queen and her children, and, furious at having been deceived, she gave orders, in a voice that made everybody tremble, that the next morning early there should be brought into the middle of the court a large copper, which she had filled with toads, vipers, adders, and serpents, in order to throw into it the Queen and her children, the head cook, his wife, and his maid-servant. She further commanded that they should be brought thither with their hands tied behind them.,

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When the first tumult of Julia's emotions subsided, the joy which the sudden departure of the marquis occasioned yielded to apprehension. He had threatened to appeal to a higher power, who would compel the Abate to surrender her. This menace excited a just terror, and there remained no means of avoiding the tyranny of the marquis but by quitting the monastery. She therefore requested an audience of the Abate; and having represented the danger of her present situation, she intreated his permission to depart in quest of a safer retreat. The Abate, who well knew the marquis was wholly in his power, smiled at the repetition of his menaces, and denied her request, under pretence of his having now become responsible for her to the church. He bade her be comforted, and promised her his protection; but his assurances were given in so distant and haughty a manner, that Julia left him with fears rather increased than subdued. In crossing the hall, she observed a man hastily enter it, from an opposite door. He was not in the habit of the order, but was muffled up in a cloak, and seemed to wish concealment. As she passed he raised his head, and Julia discovered—her father! He darted at her a look of vengeance; but before she had time even to think, as if suddenly recollecting himself, he covered his face, and rushed by her. Her trembling frame could scarcely support her to the apartment of madame, where she sunk speechless upon a chair, and the terror of her look alone spoke the agony of her mind. When she was somewhat recovered, she related what she had seen, and her conversation with the Abate. But madame was lost in equal perplexity with herself, when she attempted to account for the marquis's appearance. Why, after his late daring menace, should he come secretly to visit the Abate, by whose connivance alone he could have gained admission to the monastery? And what could have influenced the Abate to such a conduct? These circumstances, though equally inexplicable, united to confirm a fear of treachery and surrender. To escape from the abbey was now inpracticable, for the gates were constantly guarded; and even was it possible to pass them, certain detection awaited Julia without from the marquis's people, who were stationed in the woods. Thus encompassed with danger, she could only await in the monastery the issue of her destiny.,

“If I could be sure he wouldn’t do any more harm—”,

Towards the close of day Madame de Menon arrived at a small village situated among the mountains, where she purposed to pass the night. The evening was remarkably fine, and the romantic beauty of the surrounding scenery invited her to walk. She followed the windings of a stream, which was lost at some distance amongst luxuriant groves of chesnut. The rich colouring of evening glowed through the dark foliage, which spreading a pensive gloom around, offered a scene congenial to the present temper of her mind, and she entered the shades. Her thoughts, affected by the surrounding objects, gradually sunk into a pleasing and complacent melancholy, and she was insensibly led on. She still followed the course of the stream to where the deep shades retired, and the scene again opening to day, yielded to her a view so various and sublime, that she paused in thrilling and delightful wonder. A group of wild and grotesque rocks rose in a semicircular form, and their fantastic shapes exhibited Nature in her most sublime and striking attitudes. Here her vast magnificence elevated the mind of the beholder to enthusiasm. Fancy caught the thrilling sensation, and at her touch the towering steeps became shaded with unreal glooms; the caves more darkly frowned—the projecting cliffs assumed a more terrific aspect, and the wild overhanging shrubs waved to the gale in deeper murmurs. The scene inspired madame with reverential awe, and her thoughts involuntarily rose, 'from Nature up to Nature's God.' The last dying gleams of day tinted the rocks and shone upon the waters, which retired through a rugged channel and were lost afar among the receding cliffs. While she listened to their distant murmur, a voice of liquid and melodious sweetness arose from among the rocks; it sung an air, whose melancholy expression awakened all her attention, and captivated her heart. The tones swelled and died faintly away among the clear, yet languishing echoes which the rocks repeated with an effect like that of enchantment. Madame looked around in search of the sweet warbler, and observed at some distance a peasant girl seated on a small projection of the rock, overshadowed by drooping sycamores. She moved slowly towards the spot, which she had almost reached, when the sound of her steps startled and silenced the syren, who, on perceiving a stranger, arose in an attitude to depart. The voice of madame arrested her, and she approached. Language cannot paint the sensation of madame, when in the disguise of a peasant girl, she distinguished the features of Julia, whose eyes lighted up with sudden recollection, and who sunk into her arms overcome with joy. When their first emotions were subsided, and Julia had received answers to her enquiries concerning Ferdinand and Emilia, she led madame to the place of her concealment. This was a solitary cottage, in a close valley surrounded by mountains, whose cliffs appeared wholly inaccessible to mortal foot. The deep solitude of the scene dissipated at once madame's wonder that Julia had so long remained undiscovered, and excited surprize how she had been able to explore a spot thus deeply sequestered; but madame observed with extreme concern, that the countenance of Julia no longer wore the smile of health and gaiety. Her fine features had received the impressions not only of melancholy, but of grief. Madame sighed as she gazed, and read too plainly the cause of the change. Julia understood that sigh, and answered it with her tears. She pressed the hand of madame in mournful silence to her lips, and her cheeks were suffused with a crimson glow. At length, recovering herself, 'I have much, my dear madam, to tell,' said she, 'and much to explain, 'ere you will admit me again to that esteem of which I was once so justly proud. I had no resource from misery, but in flight; and of that I could not make you a confidant, without meanly involving you in its disgrace.'—'Say no more, my love, on the subject,' replied madame; 'with respect to myself, I admired your conduct, and felt severely for your situation. Rather let me hear by what means you effected your escape, and what has since be fallen you.'—Julia paused a moment, as if to stifle her rising emotion, and then commenced her narrative.,

“We have something to tell you, my boy,” said Father. “Uncle Isaac has been very sick.”